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Bestie Selvagge da circo - Wild Beasts - Koko 24/03/2010 - London

Koko and 'a sublime concert hall in London came from a brilliant renovation of a theater in 1900. The interior and 'exquisite Baroque style, with red walls and acrillico caryatids with gold drapes that seem to hold up the balconies with great ease. On each floor of the bar with comfortable sofas, as well as' a large terrace overlooking Camden High Street where the traffic, even at night, never stops.
Monday, March 24 and 'the second night sold out within a month for Wild Beasts, children Kendal, cities' lost in the North of England. 3,000 people saw in two nights to celebrate their second album "Two Dancers" released on Domino Records in 2009.La evening includes opening the two groups Esben and the Witch, which I lost for having lingered at the bar with friends, and Everything's Everything that many cite as "the next big thing" but apart from their more 'single dancer known "Photoshop Handsome' leave indifferent the majority of those present.
The lights dim and the darkness' come on stage together: the Wild Beasts, the damned poets of pop Kendal who managed to break through where many bands in their region had failed.
The Wild Beasts are not definitely a band whose main course and 'the highly successful interweaving of heading down to Tom Fleming and falsetto of Hayden Thorpe.
Hayden Thorpe, a character no doubt fascinating, part of the same baroque world of Antony Hegarty and Jami McDermott even if it occurs on stage in a very simple, jeans and plaid shirt, as well as simply look the other members of these "wild beasts ". Throughout the concert seems to be in front of the good guys who do not want to get out of line, playing, singing with precision but not transmitting to the public visually the power of their music. A scene may be too simple and clean and it almost comes off in a surprising way from the underworld and lascivious evoked by their texts where lust meets the maze of destruction and revulsion.
Although Wild Beasts have found a sound of some new wave of the 80 reporting current events' The Cure and Divine Comedy unfortunately after three quarter of an hour takes over a bit 'of repetitiveness' that's losing the initial enthusiasm of the public . The concert ends "Cheerio Chaps, Cheerio Goodbye 'and the last sentence" a requiem in a circus tent "seems out of place tonight, maybe we are talking about a circus where our imaginary" beasts ", held in captivity' on stage they have lost their wild creativity '.

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An angelic American in London - DM Stith - Slaughtered Lamb - London 23/03/2010

discovered David Michael Stith, DM Stith in art, via a video that a friend of mine instead ', more than a year ago, about facebook. That purity, that spirituality '. The emotion I had at first hearing was very similar to what I felt the first time I heard Jeff Buckley and Antony and the Johnsons. A few weeks' later I saw DM Stith accompanied by a live band in a small wooden theater in East London. A music hall built in 1863 to the community 'in Shoreditch, which has all the appearance of a saloon in a western movie, and that for years and' was used as a hall reunion Quaker. That night and many many looks dreamy eyes shining among those present. Almost a year after DM Stith returned to a room even more 'intimate, the Slaughtered Lamb, with only a guitar and a pedal with echo effects and loops. E 'again to London to present a preview of some new piece. DM Stith has an angelic voice and pure. Michael David could join the church choir directed by his father, who escaped from teaching to pursue his graphic nature and to escape to a spiritually 'tax which is not recognized. And then, during the concert, it seems that DM Stith has made its own journey in search of his underwear and I have found his true spirituality 'that now transcends his music tonight. Satasera alone in front of us, chords and arpeggios of his guitar are more 'complex and do not detract from the songs you hear on his album "Heavy Ghost." Indeed, in this room with leather sofas are instaurauna more 'strong communion, giving the impression of sharing with him a moment of intimacy' unique. Tonight, as well as some new songs with "Impatience" and the precious gems "Heavy Ghost," DM Stith gives us a wonderful cover of "Spirit Ditch" of the recently deceased Mark Linkous (aka Sparklehorse) with whom he shared a I would particularly dangerous sensitivity 'music. The elegiac concert glides fast and souls are won tonight and dumb by its beauty. Quietly leave the room and as we walk the deserted streets of London on a Sunday night, still resounds the echo dell'encore "Just Once Just once, did you love me ounces?".

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The quiet strength of the Japanese Mono. Scala - London - 15/03/2010

Going to see the concerts on Monday always requires a huge physical and mental exercise, weekends away, and it feels all over 'exhausted. It was a bit 'I was curious to go see the Mono and what better occasion than a concert at London's Scala. In opening the Swede John Alexander Ericson. On stage with the guitar does not leave a 'footprint too impressive. And then appear to them the world. On both sides of the stage, sat down with their guitars Takaakira Goto and Yoda, Yasunori Takada behind them on drums and gongs with a stately and her central: Tamaki Kunish the Japanese goddess of the bass (which will compete tonight 'also on keyboards for a couple of occasions). Image and music with a strong impact. Gia the first song "Ashes in the snow" come to mind Godspeed You! Black Emperor of the neo prog rock that were the craftsmen in the early 2000 and that, if strange, they had derived their name from a Japanese movie of the 70s. The game music and 'equal, and' always to the plan of the guitars, which is bound up with a rhythm section and Cresent galloping towards advancing the musical thunder and then merge into chaos. A musical imagination that of Mono which leads us away to the nature of their beloved Japan made streams, Zen gardens, cherry blossoms, but also of the brutal force of earthquakes, hurricanes and volcanoes ready to explode at any moment. A very cinematic, and poignant music, not surprisingly Takaakira Goto cites among his sources of inspiration for "Breaking the Waves" by Lars Von Trier. Kinematics as that of music and then Godspeed. But if the music of the latter point the force was the transition from plan to support in Mono's music seems to be more 'focused on the quest for perfection in every note that the combination of these four virtuoso musicians, among them being the' Goto the incredible skill of Takaakira fender. The strength of Mono is slow at times looking almost suspended in mid air to take in a moment of great and terrible beauty. This tour coincides with the release of "Holy Ground: NYC Live With The Wordless Music Orchestra, a live 90-minute movie in New York with a orchestra of 24 musicians and the production of the great Matt Bayles (Mastodon, Isis, Minus the Bear). The Mono tonight even though only four were able to fill with joy the hearts of those present.