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When the bear lost his grip. Grizzly Bear - Roundhouse - London 13/03/2010

Two nights sold out for months for the American Grizzly Bear at the Roundhouse in London. The Roundhouse was built in the area of \u200b\u200bCamden in 1846 as a repair depot where locomotives, and 'definitely a fascinating place, which despite recent renovations, which cost more' than 40 million euro, continues to have a bad acoustics for concerts. The Grizzly Bear
climb on to the scene 21:30 acclaimed by audiences and anxiously opened the concert with "Southern Point" which also opens their latest work "Veckatimest" in 2009 and to follow the most 'popular "Cheerleader." If
disk can assoporare sottiglieze all of this psychedelic folk-jazz quartet of Brooklyn, in a sound that seems pure in spite of the complicated texture, is lost during the live of the different layers, making even the vocal harmonies very mundane and boring . On stage there
'un'atmostera party of the country, different lights dangling from trestles, a simple but not electrifying. And there 'will remark to know that Edward Droste and company have spent months and months locked in a small apartment to record music on tapes. All well-studied theoretically, clean and also try to convey simple emotions from the scene, measured by the ruler seem ripped from school. Their music is taking on people who attended the concert, a 90% of twentysomethings who seem to belong to a middle-class right-thinking of the English bourgeoisie. While I wonder why the Warp, known for its adventurous musical choices, he wanted a band sound so bland in its catalog, Victoria Legrand takes the stage and gives us his beautiful voice in "Two Weeks" and "Slow Life" and I regret a bit 'to have lost in the opening exhibition of his group Beach House. I hope for a turning point at this point of the concert, but once Legrand leaves the stage, it does nothing exciting. I just need to sit on a sofa and fall asleep to music best dreams.

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Exit Through the Shop

Manufactured by Bansky, written and created, together with Thierry Guetta (aka Mr. Brainwash), "Exit Through the Shop" (the output from the store) even though as funny and light and 'a profound reflection on street art or street art. ll documentary as Bansky says, "and 'the story of a man who tried to film the infilmabile and failed" and revolves around the relationship between him and Thierry Guetta (Aska Mr Brainwash).
On one hand, street art by talented Bansky contestaria ironically, against the political establishment e culturale. Bansky cerca di tenersi allo scuro della massa ma per soppravvivere e' costretto a trovare un modo intelligente e provocatorio per farsi conoscere dai media e dalle celebrita’ che posssono finanziare e tenere viva la sua arte.
Dall’altra parte Thierry Guetta, aka Mr Brainwash, privo di talento, che gestisce un equipe di creativi e arriva dietro i primi incoraggiamenti di Bansky a creare un’arte di strada alla luce del sole, dietro al quale non c’e’ nessuna riflessione. Mr Brainwash ingabbia l’arte di strada e la rende di facile fruizione, usando principalmente delle immagini del mondo del cinema e in generale dell’intrattenimento come aveva gia’ fatto Andy Warhol negli anni 60.
L'arte Mr. Brainwash and 'an art made and designed for the masses, easy access to celebrities' and the media. Everyone can be part of his world contrary to that of Banksy and Shepard Fairey did for work requiring a politicized piu'attenta reflection.
During the documentary, how many questions come to mind: Is there 'a substantial difference between the art of Bansky, Shepard Fairey and Mr. Brainwash? What does this mean in reality 'street art today?
It also reflects well on the physical limit of the road as a place of expression of street art: street art should be considered only art that is done on the walls of the city ', one of the artists being hunted by police who end up arrested, and reported living in hardship? Or you can 'ART also consider the same street art caged within the walls of golden temples and the homes of collectors, most fall into the vortex of' vulgar commodification as it was already 'happened to the movement of "Young British Artist" and "Pop Art?
Actually 'documentary Guetta & Bansky opens a debate which does not provide reliable answers. Bansky, the documentary that looks like a nice person and self-deprecating, and Guetta, and that 'portrait with a disarming, almost false naivete' seem to offer two sides of same coin, inscindibli each other. Banksy's art can not survive without the marketing and "the art of the trade" of Guetta could not exist without the talents of Bansky, Shepard Fairey, Space Invader, and many many others who have contributed to the emergence and success of street art.
"Exit Through the shop" not 'the story of a man who tried to film the infilmabile and failed "but the story of a man, a group of men who believed in art's sake and had to surrender in front of today's society 'mass consumption by finding the exit from the store.

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